Brasil Diversidade:
Short Works from MIX Brasil

With the Whole Ocean to Swim
Director: Karen Harley(1997 Brazil 19' video color)

Oneway
Director: Jorge de Souza(1997 Brazil 30' video color)

Amà-la
Director: Roberta Marques(1997 Brazil, Holland 13' 16mm color)

A Case of Body Art
Director: Joao Laguimares(1997 Brazil 19' video color)

Mona Lisa
Director: Isabelle Bittencourt(1997 Brazil 1' video color)

*All works in Portugese with Japanese and English subtitles (Total: 82')


The best of Brazilian queer film and video comes to Tokyo!
Since 1993 the MIX Brasil Festival has created a space for views of gays and lesbians in Brazilian
society not commonly seen in the mainstream media. After an invitation from the MIX New York Lesbian
and Gay Experimental Film Festival, eleven makers decided to interrogate their varied experiences ofsexuality,
producing in the process a previously non-existent Brazilian gay/lesbian cinema.

Founded to provide an outlet for this new creative burst, MIX Brasil last year received fifty-six submissions,
forty
of which were selected and screened in eight cities throughout Brazil, and in Mexico and the US.
Representations of sexualities were so diverse that a "hetero" film won the audience award in
1997,
shocking those with more orthodox views about what gay and lesbian film should be.

This program curated especially for the Tokyo L&G Film Festival showcases five works
representing the diversity of languages, themes and styles presented in the 1997 MIX Brasil
Festival.
*Amà-la* is a hauntingly beautiful depiction of a woman's search for native place and
of her longing for the motherland, desires fulfilled only in the arms of another woman.
*A Case
of Body Art* explores the line between artistic self-expression and destructive self-mutilation.
The documentary *With the Whole Ocean to Swim* takes up the life and work of the gay artist Leo
Nilson,
while *Oneway* follows two male hustlers who fuck, then kill their clients, only to come
to
tragic ends themselves. Finally in *Monalisa*, we learn why DaVinci's most famous portrait
subject has that knowing look in her eye.
Come enjoy this rare screening from MIX Brasil,
and celebrate queer Brazilian filmmaking with
us!


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